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Drag-definition to draw with strength, effort or difficulty; pull strong or slow; pull; trail:
class="mw-headline" id="Etymology_and_usage">Etymologie und Verwendung
Feather flags are a symbolic sign for the drag communities and those who feel drawn to them. Symbolizing the fire of the drag community's passions in the early stages of the HIV/AIDS pandemic, the Phoenix collects resources for research within the homosexual world. It was designed by Sean Campbell in 1999 and first used nationally in 2000 as a graphical component for a print issue in GLT-Magazin.
Participant in the High Heel Drag Race in Washington, D.C. There is a long tradition of drag in the visual arts that encompasses a broad spectrum of culture and artistry. Drag-in theatre arts is a manifestation of two types of phenomena. The first is the cross-dressing in the performances, which is part of the theater' s historical work.
On the other hand, there is cross-dressing within the dramatic illusion (i.e. the figure is a cross-dresser ) that is part of literature as well. Dragging is often used as a cartoon effect. For example, the feminine personalities (sometimes cartoons) performed by Monty Python's masculine members, and Tony Curtis and Jack Lemmon in Some Like It Hot. Yeah, they're the same.
On other occasions, the main reason for the cartoon may be the footage being acted out, and not necessarily the fact that the feminine character is depicted by men, as in many Kids in the Hall outlines. Throughout England the cast was masculine in Shakespeare pieces and the entire Elizabethan theater; the feminine roles were acted by young men in drag.
Under Charles II's rule, the regulations were loosened so that females could perform feminine parts on the London scene, in keeping with France's fashions, and the conventions of males routine in feminine parts disappear. In today's UK mime, however, the mime lady is a traditionally airplayed man, while the principle boy, Prince Charming or Dick Whittington, is performed by a youngster.
Inside the drama of drama the use of drag was influenced by a historical dual moral. Under the pressure of her drama, a female could wear masculine clothing in male-dominated society, where men were the only ones to play the role of the protagonist. The Ballets Trockadero de Monte Carlo are a purely masculine company of artists in which much of the humour consists of seeing masculine dance and travesty; they play parts normally reserved for women, carry tutu and dance en pointed with great technique.
Those conventionsare largely intact in male-dominated society before the twentieth centuries, when inflexible sexual gender rolls were subverted and began to disintegrate. During the last few years of the twentieth centuries this development has altered. Sometimes, among today's drag performers, drama dragsque queens or streets queens can be seen less as "female imitators" in themselves than as drag queens, and the figure of the king exists as an entity that is anchored neither in masculine nor feminine primary-convention.
Bessy also escorted the plough hunt (a.k.a. ploughbok, plough stick, plough hump, etc.) where no game was performed: At the Baroqueoper, in which men's choir rolls were chanted by neuters, Handel's protagonist Bradamante camouflages herself as a man in the Alcina to rescue her beloved, portrayed by a masculine choir player; today's audience was not least upset.
Certain parts in the romance operas were composed by young men for contralto and vocal parts and played by woman en travesie (in English, in "trouser roles"). In Rossini's Semiramide (Arsace), Donizetti's Rosamonda d'Inghilterra and Anna Bolena, Berlioz's Benvenuto Cellini and even a side in Verdi's Don Carlo there are pants rolls for dragoon ladies.
Sarah Bernhardt, however, plays Hamlet in pantyhose, which gives the audience a view of Leg (the other is actually a prosthesis), and Prince Orlovsky, who plays the dance in Die Fledermaus, is a mezzo-soprano, with a somewhat arrogant effect. The San Francisco Drag Drag troupe The Cockettes (1970-72), which appeared with glittering eye shadow and gold-plated moustaches and bears, was characterized by the concept of "genderfuck.
In John Waters' Pink Flamingos (1972) Drag escaped from subterranean theater in the role of the divine: see also Charles Pierce. Among the crowds around Andy Warhol's factory scenes of the 1960s-1980s were a few drag queens who gained some glory, like Candy Darling and Holly Woodlawn, both immortalised in the Lou Reed track "Walk on the Wild Side".
" Kulthit smash show The Rocky Horror Picture Show has inspire several generation of young audiences to perform in drag, even though many of these supporters would have denied that they are actually drag queens. Generally speaking, only the widest range of slave stick trains was present on US TV. Only a few US TV entertainers used drag rigorously as a companion piece, including Milton Berle, Flip Wilson and Martin Lawrence, although drag figures were sometimes loved in TV sketches such as In Living Color (with Jim Carrey's bizarre bodybuilder) and Saturday Night Live (with the gap girls, among others).
McHale's Navy, Ensign Parker (Tim Conway) sometimes had to wear drag (often with humorous results) in the beloved 1960' martial arts Sitcom, when McHale and/or his team had to masquerade to implement their ingenious plans. On Gilligan's Island there are occasional men dressed in women's clothing, although this was not regarded as air resistance as it was not a matter of performing.
Canada's best-loved cartoon group The Kids in the Hall also used drag in many of their sketches. Lady Edna, the drag figure of Australia's Barry Humphries, hosts several features, among them The Dame Edna Experience. Lady Edna also travels abroad, plays in sold-out halls and can be seen on television on Ally McBeal.
Lady Edna is an abnormal example of the drag method. Edna's ways and looks have been so feminized and glorified that even some of her TV showgoers don't seem to see the Edna figure being performed by a man. Vanity Fair magazine's lady Edna's "Advice" article furore suggested that one of her toughest reviewers, actor Salma Hayek, did not know that lady Edna was a feminine figure portrayed by a man.
Tyler Perry, an actress, dramatist and scriptwriter, has brought his Madea drag to some of his best-known works on stages and screens, including the Diary of a Mad Black Woman and the movie from it. Drag was more prevalent in the United Kingdom in comedy, both in films and on TV.
The character he just acted in; no immediate wit is made about the actor's real sex. However, the restart of the serial in the 21. cent. became again a drag, with Rupert Everett in the part. Benny Hill painted portraits of several women on TV, the Monty Python squad and the League of Gentlemen often featured women in their sketches.
Gentlemen's League is also attributed the first depiction of "naked resistance", in which a man who plays a feminine figure is depicted bare, but with the corresponding feminine body structure, such as faked boobs and a woman mnemonic. Except for a few of Eric Idle's personalities, they saw and resounded very little like real ladies with their caricature skirts and flashy falsetto.
Danny La Rue was the most famous drag performer on UK TV in the 1970' s. The performance of La Rue was basically a musical performance in a concert theatre, which ties in with a much older and less sexualized drag style. She' s more of a lady Edna type. Matt Lucas and David Walliams often perform feminine parts in the UK TV cartoon Little Britain.
The United Kingdom has less use for non-comic drag-acts and is usually a secondary characteristic of another narrative. Reg Varney's movie features a summer camps cartoonist and drag performer whose wedding fails. Much of the world's pop culture has a dignified drag tale. A lot of masculine actors (like David Bowie and The New York Dolls) made a move in the glam-rock period, partly or completely.
Somewhat diminished in the latter part of the seventies, this legacy was reinvigorated in the new 1980' waves epoch, when Boy George (of Culture Club), Pete Burns (of Dead or Alive) and Philip Oakey (of The Human League) often performed in a kind of semi-drag, while women artists of the time planned in their own kind of arrogance, with artists like Annie Lennox, Phranc and The Bloods sometimes appearing as dragheads.
In the 90s, men's men's grunge players sometimes wore consciously nasty drag, i.e. they wore clothes but made no effort to look female, did not wear make-up and often did not even shave their bears. Nirvana did this severalfold, especially in the In Bloom movie. However, the most popular drag performer in 90s was RuPaul.
With RuPual Maximilliana worked in the Nash Bridges EP isode "Cuda Grace" and was a frequent guest at the Queen Mary Show Lounge in Studio City, California. On November 11, 2011, Maximilliana published her first full-length record of humorous dancing songs for the entire online social networking market on iTunes, Amazon.com, and CdBaby.
A " lady " in homosexual slang- is a feminine homosexual man or a homosexual man with a special qualities. Besides "Drag", the word "Drag Queen" has become part of the general encyclopedia. "Up until 1956 she was always a man in feminine clothing, veil and side-saddle - the man-woman of traditional. The way feminine drag queens create a scene.
In the drag scene, "faux queen" is the name of a female drag Queen.