Theme of the

Well, what's a subject? It'?s plotting what happens, what happens, why it happens.

That'?s why you tell that tale. It is the embassy that the reader should take with him. Indeed, I ask you to decide why you want to tell a tale before you even start. Don't just type to do it. That' s not a good enough ground to be a novelist. You' re writing because you have something to say.

So what will this tale tell my read about living? When you only type to amuse, don't anticipate that your things will be unforgettable. Avoid the need to state your subject in history explicitely. This may have worked in a strange way with Dorothy at the end of The WIzard of Oz, but today's readership doesn't need the topic to be capitalized.

Share your narrative and it should research your subject and have its own point of view. Our readership is intelligent. Fabricate your theme into a subtle narrative and rely on your readership to get it. Don't deprive them of their expertise. Though None Go With Me, in my own novel, I wanted to examine the issue of whether there is anything on this side of heaven for a total devotion to God on this side of heaven.

At the end we see with her an end of the Mr. Holland's Opus kind, which answers the issue but lets the readers come to their own conclusions. Learn your subject and research it through your history.

The way great writers evolve the theme of a history

He is a Brooklyn-based author and journalist. Many authors believe that listening to the term "theme" our ears become glazed and our mouth becomes limp with the jaw. It can trigger flash-backs to high schools English, in which the teacher compelled us to analyse the subject, pictures and motives of a tale infinitely, while enjoying only the letter and the character.

"We might have screamed as we did our schoolwork and shook our hands in the sky." Yet the best authors take up topics in their work and go headfirst into designing one. That is because every author writes his or her letter about something, intentionally or not.

This something, the quintessence of history, is their theme. It is up to you whether you spend your own resources on development and reflection on your subject, but your history will only be enhanced if you do. If the theme of a tale is strong and the more you focus on it, the better the tale is.

But before you even start working on your novel, you should find out what the subject of your novel is. Wonder for yourself what your storyline is all about among your plot and subplot, your character and your description. It'?s a tale about how romance overcomes everything? Well versus bad is a shared theme.

Your tale about how the bad never prevails and the good always prevails? Each of them is an outstanding example of topics. Obviously, your history can have more than one theme. However, you should at least be able to find a "main theme" or concept on which your history will concentrate. Can also help to pinpoint the "spine" of the tale or the most important storyline.

As a rule, the spinal column is just a phrase that sums up what history is mainly about. It will help you maintain your core ideas throughout your work and avoid being distracted by sidelines, subcharacters and long inaccuracies. Such as for a novel like The Great Gatsby, the backbone could be "a prosperous US tycoon discovered in the jazz age that cash cannot buy happiness," and the theme could be "The downfall of the US dreams.

This topic should be a straightforward abstract of the key point of your history. As soon as you have pinpointed your theme and your backbone, try to find all the ways in which your personalities and your actions are connected to this theme, both implied and explicit. What kind of scene relates your theme to the interaction of your hero?

What do your descriptions and your preferences say about the topic? Anything that is not in any way related to your topic is deserving of thought as to whether it should be involved at all. Well, the next thing is, how exactly do you incorporate a topic into your work? Apart from your typing, the primary way is through motives and icons.

Together, these three things are mighty instruments when it comes to ensuring that your subject is easy to understand and that it is always present in your narrative. An image is a recurrent texture, icon or literal apparatus that assists in the development and information of your subject. If a motive appears more and more in a narrative, it will be included more strongly in your theme.

The Great Gatsby is an example of how to deal with the themes of geographical (the East Coast stands for decades of decline and stereotyping, while the West stands for more simple, traditions of "American" values) and atmospheric (the changes in atmospheric pattern reflects the change in sound and atmosphere of the character and the story) themes.

Daisy, in turn, is Gatsby's unreachable U.S. Traum. Lights are a symbolic element that deepens the topics of history. Thus, a set of recurrent icons (rain, lights, colors, etc.) are incorporated into a theme (weather, geography), and a set of icons into a theme (the demise of the US dream).

Besides icons and motives, your character is your greatest opportunity to communicate your topic to your reader. A character can be different aspect of a theme, or in some cases the theme as a whole. We' ve already shown how Daisy embodies the US fantasy for Jay Gatsby. A character may also have a discussion, thought, or behavior that relates to the subject without explicitly advocating the subject itself.

Thus Nick Carraway himself, as a apparently "secondary" figure, reflects Gatsby's theme of the appeal of the American dream. It is the semblance of "moralization" or conversion in a narrative that the writer wants to avert. The theme will put your own convictions and worldviews into relation, but it is not morality. Once the readers think that all you are trying to do is persuade them of your way of thinking instead of just tell a good tale, they will run into the mountains.

Creating a theme is not a matter of chance. F. Scott Fitzgerald thought long and long about the subjects and icons he wanted to add to the Great Gatsby, and the outcome is one of the best illustrations of contemporary US literary. It will take a lot of trouble and work to find your topic, but it will be rewarding in the end.

When you try to think about your topic before you write and you can't, that's fine. Don't let yourself be so preoccupied with the subject that you forget good stories. Sometimes the theme of your tale is only visible when you have several outlines. Usually, you should first concentrate on the history and then on the subject.

What topics do you find most convincing? And how did you incorporate topics into your books? In 2012 Matt began to write DVD review for pop magazine and in 2016 he pursued a lifelong vision by starting a part-time writer's shop at www.mattgrantwriter.com.